Dubhghaill .art
Media:
Painting, Digital

Studio Location:
46-04 Skillman Ave, Sunnyside, NY 11104
Room/Studio#
Downstairs entrance
Website:
Artist Bio:
Dubhghaill.art. Rooted in the rich tones of his Irish surname, Dubhghaill—meaning “dark stranger”—his art captures the enigmatic and iconic essence of the music world. Each piece is a symphony in black and silver, using acrylic paint pens to bring musical legends to life with stark, striking contrast.
A self-taught artist, Dubhghaill.art has been wielding his pens since his teenage years, initially drawing inspiration from rock and metal album covers. His early canvases were the walls of his bedroom and his biker jacket, covered in the names of metal bands. Influenced by artists like Jim Fitzpatrick, Roy Lichtenstein, Banksy, and Pure Evil, his style fuses pop art precision with street art edge. His work has been exhibited at Vital Studios in Sunnyside (2024, The Sound of Shadows), Greenpoint Gallery (2024), CultureLab LIC (2025), and Aubergine Cafe - Bowie & Friends Exhibit (2026) reflecting his rising presence in New York’s art scene.
Recent publications:
https://qns.com/2026/02/sunnyside-artist-final-exhibit-aubergine-cafe/
https://itsinqueens.com/intheloop-new-art-exhibition-on-david-bowie-opens-in-woodside/
Artist Statement:
My work is an exploration of the "dark stranger"—a translation of my Irish surname, Dubhghaill—and the enigmatic power of the musical icons who define our cultural landscape. I aim to capture the raw, electric energy of a live performance and the lasting legacy of rock and metal through a minimalist yet high-impact lens.Using acrylic paint pens, I create a "symphony in black and silver," focusing on the stark, striking contrast that mirrors the intensity of the music itself. This monochromatic approach strips away the noise, leaving only the essential character and iconic presence of legends like David Bowie, Blondie, and Kurt Cobain.
My process is deeply rooted in my history as a self-taught artist. What began in my teenage years as drawings on bedroom walls and biker jackets has evolved into a style that fuses the precision of pop art with the raw, gritty edge of street art. Influenced by the bold lines of Jim Fitzpatrick and the subversive nature of Banksy and Pure Evil, my portraits serve as a bridge between the nostalgia of classic album covers and a modern, urban aesthetic.
Through this collection, I invite the viewer to step into "The Sound of Shadows," where the line between the musician and the myth is blurred by ink and light.







