My recent work reflects an ongoing exploration of how drawing and  painting work together (or against one another). Some areas look  scribbly and haphazard, and others cohesive, united by copacetic colors.  Certain colors clash, while others harmonize. Parts of the paintings  are congested with lots of lines, and sometimes larger areas are  inhabited by a single background color. It’s as if they cannot come to  an agreement.

Most recently, actual letterforms and text have surfaced, only to be  subsumed by lines and colors, or changed and muted by way of  rearrangement and re-ordering (think William S. Burroughs' "cut-ups")