My worked explores themes of perception, belonging, and transformation.  In exploring these themes I’m really interested in creating images  through a layered painting processes where these states of becoming and  erosion/ decay are unfolding simultaneously.

While my visual language draws from landscape and natural phenomena, it  does so through a mediated lens—one shaped by technology and  screen-based perception. I seek inspirations from construction sites or  scaffoldings as they are markers of transition - architectures where  identity feels unsettled. I reference these ripped walls or unfinished  walls in my work as abstracted, reworked surfaces to evoke the sense of  transformation.

Water, cyclical and elusive, is important for my process materially and  symbolically. I study how it seeps and pools across surfaces, reacts to  pressure, and disperses layered applications of airbrush, ink, pastel,  and paint. By mixing these materials, I work in between painting and  drawing, creating a tension between clarity and blur through both  control and surrender to the materials. Beyond the physical, water  carries symbolic weight in my work, evoking migration, place-lessness,  and interconnectedness.

My work invites viewers to ask: How do we locate ourselves in  ever-changing landscapes, both physical and psychological? How does  technology contribute to our sense of perpetual flux? And what is real,  what is remembered, and what is simply a matter of perception?