Walking down a street in New York City’s SoHo district, I noticed a classical mosaic in a store window. At that moment all my artistic interests, from photography to ceramics, merged into a desire for the tactile.
Having just returned from making photographs in Provence, I was thinking about the ways images are captured and interpreted. Looking at the mosaic, I realized that this medium is a way to give multiple lives to my images. Having composed an image through a camera lens, I could not only make prints, but also transform it into something different, a stained glass mosaic.